twentytwentyone October Newsletter

On October 14, 2018 · 0 Comments

The latest edition of the twentytwentyone newsletter has arrived, featuring October’s new arrivals in-store and online. We introduce an exclusive new manufacturer, Gemla, Sweden’s oldest furniture factory who use traditional techniques to craft contemporary bentwood chairs.

We also have new additions to the Wallace Sewell block collection. Sumptuous throws and cushions woven in the softest merino wool with reversible designs, these new colour ways are a perfect accompaniment to cosy Autumn days spent at home.

To ensure you stay informed on all this and more, subscribe to our monthly newsletter here.

twentytwentyone’s September Newsletter

On September 5, 2018 · 0 Comments

twentytwentyone-Hay-Silhouette-Sofa

twentytwentyone’s September newsletter has arrived, heralding London Design Festival and the new arrivals in-store and online this month, from GamFratesi’s elegantly moulded Silhouette sofa, to Studio Arhoj’s Familia collection of unique, Shinto-inspired ceramic figures.

Also included are details of Edit ’18, an exhibition of innovative and enduring new designs, many of which are seen for the first time in the UK as part of London Design Festival.

To ensure you stay informed on all this and more, subscribe to our monthly newsletter here.

London Design Festival 18 – Edit ’18

On September 2, 2018 · 0 Comments

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twentytwentyone will host Edit ’18, an exhibition of innovative and enduring new designs, many of which are seen for the first time in the UK as part of the London Design Festival.

The curated edit combines newly released historical designs with contemporary launches, in an eclectic yet harmonious exhibition. Central to the exhibition’s remit is to explore the varied approaches to material, process and form. A host of materials including wood, wool, concrete, paper and steel will reflect a diverse range of techniques, handcrafted and machine-made.

Eminent twentieth-century designers Børge Mogensen, Bodil Kjær and Pierre Paulin will be relaunched alongside respected contemporary counterparts with new works by Barber Osgerby, R&E Bouroullec, Pauline Deltour, Cecilie Manz, Tiipoi, Sebastian Wrong and Jun Yasumoto.

Edit ’18
twentytwentyone showroom
18c River Street,
London, EC1R 1XN

Private View: Tues 18th September 6.30-8.30pm

Exhibition runs 19th – 23rd September.
Wednesday – Saturday 9.30 – 5.30pm, Sunday 11.00 – 5.00pm

 

Edit '18 brands

 

twentytwentyone August newsletter

On August 16, 2018 · 0 Comments

twentytwentyone-Barber-Osgerby-bellhop-brown

Our August newsletter has arrived with details of the newest arrivals online and in-store, from archive Lucienne Day designs to modern lighting from Barber & Osgerby.

Also included is a date for your diary, we’re hosting Edit ’18 as part of London Design Festival 2018.

To ensure you stay informed on all things twentytwentyone, subscribe to our monthly newsletter here.

In Conversation with Koda Munetoshi, Maruni

On July 19, 2018 · 0 Comments
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Maruni Hiroshima armchair wood in walnut designed by Naoto Fukasawa

Founded in 1928, Maruni Wood Industries embodies Japanese design. Having developed a technique of bentwood working considered extremely difficult at the time, the company has been at the forefront of pursuing industrialised craft, achieving a balance between the quality of hand craftsmanship with the benefits of mass production.

We talk to Koda Munetoshi, the CEO for Maruni Global Branding Inc, about the new additions to the Maruni collection; the Fugu and Roundish chairs, celebrating Maruni’s 90th anniversary and a very special project in California.

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Koda Munetoshi, the CEO for Maruni Global Branding Inc

What is your role at Maruni?

Right now I’m CEO of Maruni’s subsidiary for International Sales Business. Basically, I’m in charge of all of the European market, but I’m also running the company! [Laughs] So I’m doing so many things!

We know Maruni has key dealers all over the world, so you must be incredibly busy. Have you any idea of how many thousand miles you travel each year?

I spend one-third of the year travelling outside of Japan! I love to travel, especially in the UK and North America. I speak English, so it’s easy for me to stay in these places because there’s no language barrier. I love Paris and Milan too.

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The Roundish armchair designed by Naoto Fukasawa

What are the technical difficulties with the new Roundish chair?

Usually, when a manufacturer produces this kind of light plywood chair, two pieces of plywood are used for each side of the seat. These are then glued in the middle. Naoto Fukasawa saw this joining line as a sort of ‘noise’, an unnecessary detail. So we needed to wrap single sheets of ply into the 3-dimensional shape of the curved seat. To do this and get a smooth curve is not easy and required us to stretch the individual plies before wrapping them into the seat shape.

Another challenge was how to deal with the waste ply that this shape would create at the back of the seat. Naoto decided to make a hole at the back of the chair, from where the waste could easily be cut away.

How long was its development, from initial design to production in the factory?

It took us a whole two years.

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The Fugu chair designed by Jasper Morrison

Why is the Fugu chair called Fugu?

Fugu is a Japanese word that means ‘Blowfish’. The shape reminded Jasper of a blowfish [Laughs]. Honestly speaking, the Maruni factory is located in Hiroshima, which is one of the best places to have Fugu in Japan. Every winter Jasper and Naoto visit Hiroshima to see production at the factory, which is also the best season to eat Fugu, so we take the designers to a super good Fugu restaurant when they visit. Maybe this is why Jasper named it this! [Laughs]

Where does the oak come from?

We source all the wood from outside of Japan. This is because Japanese wood is not certified as sustainable. So we use certified oak and walnut from the United States, and Beech and Ash from Germany.

Naoto and Jasper seem to have a similar approach to their work, with quite timeless and minimal designs that resonate well with Maruni’s approach to manufacturing. Are the designers very alike?

Basically, their development process is similar, but their approach is different. Naoto’s approach is more academic. He has a specific logic in his mind, and all of the lines, angles, degrees, are always more specific. Jasper has this too, but it seems like the sense of something is more important for Jasper. Even though he has great academic knowledge about design, he is slightly more hands-on. He knows about the international market, too, which helps.

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Hiroshima armchair in beech designed by Naoto Fukasawa

On the subject of Maruni’s international market, thousands of Hiroshima chairs were specified for a very special new office in California – Apple Park. Why do you think that Japanese design is very much at the forefront of furniture design now?

It is difficult to know why, and it doesn’t mean that Japanese products are doing well on the international market all the time. The most important thing for Naoto and Jasper is that the products are useful, and practical. The design could be very beautiful, or the process could be very intricate, but if it’s not comfortable it doesn’t work.

When we pursue the ultimate practicality of a product, then with it will come the highest level of beauty. That’s why we’re always trying to make and pursue only the most useful designs.

90th Anniversary limited edition Hiroshima armchair and T-O chair. Only 90 of each chair will be produced worldwide.

Maruni celebrated its 90th anniversary in April of this year – congratulations! How has the company changed over the years, and what does the future hold?

Some people say Maruni is the first and sole international furniture manufacturer in Japan. Each year at the Salon de Mobile in Milan, we display in hall 16, which is definitely the best location on this huge exhibition site. There are no Japanese furniture brands that have displayed in that position in history, and it makes us proud. We would like to maintain this reputation as Japan’s best furniture maker and would like to improve our manufacturing techniques more and more.

Most importantly, we want to continue to represent Japanese craftsmanship and aesthetic sense. Japanese manufacturers are so neat, meticulous, sometimes stubborn, even [laughs]. But that’s the character of our country and our nationality. This characteristic is of value to people from outside of Japan. We would like to continue conveying this message to our customers through our products.

Many thanks to Koda Munetoshi for taking the time to talk to us.  Maruni products are available online and in-store at our shop and showroom. 

twentytwentyone’s July Newsletter

On July 7, 2018 · 0 Comments

Established & Sons Mauro Chair

The July twentytwentyone newsletter is here, with details of new arrivals, from Established and Sons’ reproduction of the Mauro chair, originally designed by Mauro Pasquinelli in the seventies to Woodyzoody’s menagerie of wooden animals.

It also details our new Summer Holiday edit, a curated selection of classic and contemporary designs for the Summer break.

Our Summer sale continues with 15% off selected furniture, lighting and rugs and with new additions and further reductions to our one-off, ex-display furniture, lighting and accessories.

To be the first to know about new arrivals, exhibitions and sales, subscribe to our newsletter here.

twentytwentyone’s June Newsletter

On June 8, 2018 · 0 Comments

The June edition of the twentytwentyone newsletter has arrived and we were pleased to herald the arrival of new prints by Ronan Bouroullec, George Sowden and Pierre Charpin.

With Father’s Day fast approaching, we’ve also assembled a gift list with classic and contemporary gift ideas to inspire. Packed with design-led items and practical presents  – there’s no excuse not to find the perfect gift for hard to buy for Dads!

To be the first to know about new arrivals, exhibitions and sales, subscribe to our newsletter here.

twentytwentyone’s May newsletter

On May 23, 2018 · 0 Comments

The May edition of our newsletter is here with a focus on modular furniture and lighting, including the DK3 relaunch of Poul Cadovius’ System Cado.

We herald the arrival of the new production of Lucienne Day’s Flower Brick and the two new additions to the Maruni Collection 2018, the Roundish armchair and the Fugu chair.

To be the first to know about our new arrivals in-store and online, subscribe to twentytwentyone’s monthly newsletter here. If you’ve already subscribed, due to new General Data Protection Regulations (GDPR) coming in at the end of the week, we ask that you update your preferences to continue to receive our newsletter. To do this, please click here.

 

 

Maruni Collection 2018

On April 25, 2018 · 0 Comments

Maruni Collection 2018Maruni Wood Industry has launched two new chairs as part of the Maruni Collection 2018 at the Salone del Mobile, Milan.

twentytwentyone are very pleased to soon be displaying the Roundish Armchair designed by Naoto Fukasawa and the Fugu Chair by Jasper Morrison at our River Street showroom.

The Roundish armchair designed by Naoto Fukusawa (above) is made from a single piece of laminated plywood, twisted and bent in three dimensions to create the backrest, arms and seat. The unified shape gently embraces the person sitting.

The Fugu chair designed by Jasper Morrison (above) is made of solid wood and utilises Maruni’s renowned cutting technology to create the finely curved surfaces. An armchair version is also available.

Maruni 90th anniversary limited edition chairsIn addition to the new collection, to commemorate Maruni’s 90th anniversary, a special Hiroshima chair and T&O chair (above) will be released in a limited edition of 90 worldwide.

Established in 1928, Maruni set about achieving industrial mass-production while retaining the quality of the craftsmanship so prevalent in their heritage. This attention to detail can be seen in their designs, striving to create robust pieces of furniture that will still feel fresh and vital in the future.

 

twentytwentyone’s April newsletter

On April 6, 2018 · 0 Comments

twentytwentyone DSH Greenhouse

The Spring Living edition of our newsletter is here with details of all the latest designs to arrive in-store and online.

As we bound into April with longer days and warmer weather, twentytwentyone have curated an edit of contemporary and classic outdoor furniture, lighting and design-led accessories for your home and garden.

To ensure you receive all these updates and more, subscribe to twentytwentyone’s monthly newsletter here.

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