Please join us for panettone, wine and late-night Christmas shopping at our Upper Street shop until 7pm, each Thursday in December.
The extended opening hours will start on Thursday 1st December and will run until Thursday 22nd December, giving you ample time to plan and make your purchases.
If further inspiration is required, we have compiled a series of online gift guides suggesting a covetable array of classic and contemporary gifts for him, for her, for kids and for the home.
twentytwentyone’s range of Christmas stationery includes a choice selection of Christmas cards to suit all tastes and festive requirements.
Also present are contemporary graphic interpretations of festive regulars such as Christmas trees and baubles: Paul Farrell’s King Tree card (below left) and Cut and Make’s Red Bauble card (below right) with cut out detailing that can be folded to create a variety of visual effects.
Still seasonal but perhaps less traditional are Esme Winter’s Blue Dancers card (below left) and Stefi Orazi’s Modernist London Winter greetings cards (below right) which recast the traditional Christmas snow scene with six modernist London landmarks.
Some of our cards double as decorations, making them a gift in themselves.
Both Lovi’s Christmas Tree postcard and the Robin Christmas decoration by Lisa Jones come flat-packed for ease of sending. Once received, they can be assembled to make delightful and striking festive ornaments.
Finally, for those who receive as well as send Christmas cards, a letter opener is a seasonal essential.
Enzo Mari’s refined Ameland paper knife is a perfectly balanced, elegant and functional desk accessory that is a delight to use, all year round.
View our full range of seasonal stationery here.
twentytwentyone’s second November newsletter is here, with news of all the latest designs to arrive in-store and online.
Sign up for future newsletters here.
Few things are as atmospheric and instantly inviting as candlelight. A time-honoured way of creating a special ambience, candles come into their own at this time of year and bring a sense of occasion and warmth to festive gatherings.
twentytwentyone’s collection of candle holders, sconces, scented candles and incense offers all you need to help create an air of seasonal celebration in the home.
For Christmas 2015 twentytwentyone was able to exclusively offer the Idlhane candlestick by Anderssen Voll (shown above), an appealingly bird-like and sculptural cast-iron candle holder.
For Christmas 2016 the designers have followed the success of Idlhane with Glo, a tactile tea light holder (below left).
Lars Fjetland’s Moment candlestick (above right) has a similarly functional and expressive form.
The ingenious design has a spring-loaded arm that flips down to extinguish the flame when the candle burns past a certain point, making it both safe and easy to clean.
If more refined materials are called for, Holmbäck Nordentoft’s Cafu candle holders (above left) and Matti Klenell’s Nappula candlestick (above right) combine smoothly sculptural forms with mirror-polished stainless steel and brass. Ideal as centrepieces for your table or as decorative objects in their own right.
The Lily Candlestick (below) is a classic of Scandinavian design, conceived by Ivar Alenius Bjork in 1939 and enduringly popular in the present day.
By contrast, wall-mounted candle sconces are a striking way of introducing candlelight to the home.
Pierre Forsell’s sconces have a precise elegance that reflects the Swedish designer’s training as a silversmith. Designed in the 1950s, they exemplify the timeless qualities of classic Swedish design.
Scented candles offer a further enhancement of the atmospheric effect of candlelight and twentytwentyone’s selection includes examples that capture the character of two very different parts of the world.
Danish company Skandinavisk’s candles are perfumed to evoke the landscape and culture of Scandinavia, with a range of fragrances evoking pine forests, fjords and that most Hygge of occasions, Christmas.
Margate-based brand Haeckels are inspired by a very different landscape: the Kent coastline. Their scented candles capture the essence of a bracing coastal walk through salt marshes sheltering sea birds, wild fennel and lavender.
Finally, there’s no reason why your box of matches should let the side down.
Shane Schneck’s Strike matches (shown above with his copper wire Lup candlestick) look as appealing as the candles they light, with their simple coloured boxes decorated with a patterned striking strip.
For further inspiration, view twentytwentyone’s range of candles, candle holders, scented candles and incense here.
twentytwentyone celebrates its 20th anniversary in 2016.
To mark this milestone we have issued a series of monthly edits focusing on some of the visionary designers, makers and manufacturers that have made the past two decades so stimulating and inspiring.
In November, we celebrate a rising generation of designers whose diverse work is united by its originality, distinction and enduring quality.
View the edit in full here.
twentytwentyone’s November newsletter is here, with news of all the lastest designs to arrive in-store and online.
Sign up for future newsletters here.
2017 is merely months away, but twentytwentyone’s collection of calendars will stand you in good stead for the new year.
Our selection ranges from contemporary designs such as Maddison Graphic’s 2017 year planner (above) to calendars which have achieved the status of genuine design icons – such as Massimo Vignelli’s Stendig calendar (below).
Designed in 1966, Stendig’s simple and timeless design has been a firm favourite with the design-conscious for more than half a century and is the only calendar in the design collection of the Museum of Modern Art in New York.
Once removed from the calendar, Stendig’s monthly pages with their alternating black and white Helvetica font can be used as wrapping paper – many people find them simply too good to throw away.
Enzo Mari’s Timor desk calendar is another design classic, designed in 1967 and originally inspired by Italian railway signage. Standing on a base pressed from a single piece of plastic, a series of cards indicating month, day and date can be rotated to represent the correct date.
Equally iconic in their own way are two other perpetual calendars stocked by twentytwentyone. In contrast to his year-specific Stendig, Massimo Vignelli’s Max 365 (below left) is a perpetual calendar consisting of a single date printed on a succession of heavy-duty card sheets.
Jean Pierre Vitrac’s Imbroglio calendar (above right, and available in wall and desk versions) consists of a powder-coated steel panel with a magnetic cursor that can be moved to indicate the correct date.
However, if you prefer your year to be more precisely mapped out, Blokhope’s 2017 calendar (below) offers a traditional month-to-a-page format sharply printed in fluoro red ink.
Get set for 2017 and view our full selection of calendars (along with other seasonal accessories) here.
Throws and blankets come into their own at this time of year, whether draped over sofas and lounge chairs or layered on beds.
twentytwentyone’s choice selection of classic and contemporary woollen rugs and cushions will bring softness, colour and textural contrast to your home – while helping to fend off the winter chills.
Eleanor Pritchard‘s woven wool throws and cushions are rooted in an appreciation of mid-century textile design while remaining distinctly modern in appearance. All Pritchard’s designs are hand-woven on traditional ‘dobcross’ shuttle looms at a small mill in West Wales.
Rustic in texture (much like the bread after which it is named) yet graphic in pattern and colouring, the Sourdough range marries wool-working craft and heritage with a very modern sensibility.
View the full range of Eleanor Pritchard’s designs at twentytwentyone here.
By contrast, Wallace Sewell have drawn inspiration for their new bespoke collection of woollen throws and cushions from the richly coloured, geometric paintings of contemporary artist Chung Eun Mo.
Designers Harriet Wallace-Jones and Emma Sewell are well known for their striking use of colour intricately arrayed in geometric blocks, and the new collection they have designed exclusively for twentytwentyone is no exception.
Lloyd (above) and River (below) combine bold and subtle shades woven in softest 100% lambswool to create a family of throws and cushions that will both compliment and provide contrast with any interior.
View Wallace Sewell designs at twentytwentyone here.
Mourne Textiles produces woven fabrics of exceptional design and quality using the last remaining production hand loom weaving workshop in Northern Ireland.
The company was originally founded by Norwegian designer Gerd Hay-Edie whose distinctive textiles were used as upholstery fabrics by, amongst others, Robin Day, Gordon Russell, Conran and Liberty.
Hay-Edie’s work and influence is currently celebrated in the exhibition ‘Gerd Hay-Edie: Evolutionary Weaver’, currently on display at Margaret Howell’s Wigmore Street shop.
The exhibition features a Robin Day Centenary Edition Reclining Chair, loaned by twentytwentyone and upholstered in Hay-Edie’s Blazer tweed.
Hay-Edie’s classic mid-century tweeds are still available in a range of richly textural, monochrome blankets and cushions woven from a ‘wild’ spun yarn from Donegal.
View all Mourne Textiles woven cushions and throws at twentytwentyone here.
Finally, a natural sheepskin fleece offers an ideal option for those who may wish to experience wool in something closer to its original form.
twentytwentyone’s exclusive range of sheepskins are derived from rare British breeds. Treated at one of the UK’s oldest tanneries, the fleeces are preserved with environmentally-sensitive processes that maintain natural colour and tone.
Also available are long-haired fleeces from Icelandic sheep. Icelandic sheep wool has a longer length that creates a strikingly shaggy and luxuriant appearance, particularly when paired with clean-lined contemporary designs.
A time-honoured way of creating contrast and enhancing comfort as the evenings draw in.
The additions range from an exclusive selection of Peter Nelson’s exemplary modernist lighting (now no longer in production) to the classic VL45 blown-glass pendants designed by Vilhelm Lauritzen for the Radiohuset building in Copenhagen and now reissued by Louis Poulsen.
View new additions to our lighting ranges here.
Lighter Prices ends on 6th November.
twentytwentyone’s second October newsletter is here, with details of our Lighter Prices promotion commencing 15th October.
Sign up for future newsletters here.